The rain is your mother when she’s angry And when she sings your sleepless night to sleep The see-saw of the tin A deflection Against the hem of morning a familiar spill The mottled face against proud heat a hand cool-ly calming Her shadow for a while, while you sleep Keeps the rest at least a blanket thick, and almost noiseless day Until you’ve done with the mewled noise of your forgetting
A scintilla of desire
In the French film
Almost a thousand feet
A bright pinhole of light
The discomfiting sprocket sound
Girls sleep the shape of dunes
The shifting sands of innocence
In the uncertain distance
Horizon spilled into the sky
The azure
Hard as a mirage
With grains like glass
Where you hoped
For water
I fall into the succour of your flagging upper-body strength
The pommel horse Is prancing Surmount, liquorice lax A lazy arm’s extension Hawser thin and relatively Unbiased There is a kind of threat In the tight grain, in the sweat That divides your t-shirt Into terra nullius And undisputed regions Erase a line, and jump Over the dogs of lazy meanings Biceps smooth, collapsing In a forward roll The incline mat As it slowly, closely pours The colour Of an ugly sky The shoulder dislocates With that wet leather sound Of sinews wrenching Your scowl red as empires Extend your arm Fold it into place An aspiration for the pain Clean jerk No more flying
I make other people into paper planes
People call out of the past Curving like loose sheets of paper Bring milk, I say They bend until The far edges meet I fold them quickly Here, here and here Make a simple crease The triangular shape of strained smiles Watch them curvingly glide away Good riddance (I say) In my ever burgeoning nest of crumpled defeats Back to sleep
Seance number nine
We wake, made of silk I wonder at the setting Of your moon-sharp chin Lonely satellite, in quaternary beaming At seance nine we spoke Of the lies told by the dead With their voracious appetites For unresolved regrets Silent now That we directly ask In a falling game Strange dirt gleaming on your smile The planchette of you hands Moving of their own accord Planting joys and miseries In unfamiliar ground To see in glaucoma moonlight What par-blind flowers grow Quiet, but still, not quite Almost lost for words
With Isabella di Medici in the Arctic
Hold your father’s urn Shoulder a hawk proud arc One day you turn around Find a man old as porcelain Wearing your stolen face The way a tree still wears the gnarls Of long discarded branches Gone to the shape Of half-mouldered sleep As if, beneath the soughing sound Of leaves falling from a newfound sky The ashen colour long after fire Came to a cooler season Below the red of morning That shepherds confusingly swore Not yet supper time, no storm The doves watchful until The dishevel in your hand moves like a raptor Someone shot linen From the balcony Past the atrium In a mistaken suicidal fall With those poised static lines Of TV’s glacial world Bit off the tip of your frost bitten finger The aurora warm and bright as gangrene The dead come slowly up the stairs Without much left to say Just the heavy echoes Of yesterday’s too heavy Orthopaedic shoes An old woman’s tractor strength In each resounding drop Stairwells have their harvests Of dragged feet and brooding shadows Fallow seasons where The ceiling is the ash of long extinguished fires The automatic sensor Too bright and too slow To escape the darkness, in consequence of light On the second landing, while she waits a breath Wagered against a fast approaching dark She pulls a morsel from a paper bag The heart-meat colour of red liquorice The threads in sinews tear apart Considering the broad and endless expanse Of your lost face’s Artificial strawberry taste The door scrapes, like ice shelves calving Scrapes again Now step-on, hunted, cat soft Ridges carved to corridors By an endless season On the heaving contours of your brow
What the magpie said
Whistle a magpie song Count almost to seven As she bends a wing The ash and char long after fire In that dancing way With a tilted query To ask only this; You have neither tongue Nor beak, to sing a newfound morning Nor yet a rise of quills to make Of the swell of day a flight From merriment to soaring Yet with a caw of half-broke voice You pretend to sing I will turn, and bow and pause and carefully watch and wonder In the narrows of bird-caution Is this a mockery in your voice Or the joy of worship?
Bitter fruit
Scientists grew tear ducts In a jar Spent the day in mockery Until they cried A seldom kind of love For their bastard child Poked and prodded, niggled Shamed, curtailed Obedience praised until The organism wept The experiment, upon repetition Bore bitter fruit Inconsolably weeping With just a half an hour’s Earnest jests
On the impossibility of describing your hand
Today I will forgo my mundane raptures Just to say Torn by duty Worn by care Daubed in blue and yellow By the welts of savage and grace-full arts This constellation, needle marked I am lost in wonder By the way with all such wounds It still holds me
For a little while
The underside of the table Has colours like the Sphinx In one of those arch Murder mystery telemovies Where white men in white suits Pontificate on how the Mamaluk Beys were defeated by Napoleon With the help of an ancient desert curse Discovering Thebes, Dendera and Philae In the wake of Janissaries fleeing Their horses hooves curving up A sandstorm’s furied face For the uncomfortable planar shapes Of magic carpets to ride on Eating the uneven edge As if the broad, contemplative forehead Of Africa had a migraine The pry ram ids seen from space tack sharp The women pouring jewels In elegantly panelled dining rooms Of cruise ships much too big For undredged river beds Discussing losses at baccarat With the vestal aplomb Of supremely innocent naïveté Prophets in reed baskets Floating amongst the crocodiles Muttering chemin de fer Derricks and dirigibles emerging From a postcard landscape Smoke haze from the burning A pink stamp on the wood Almost wholly illegible As if the substrate were once Prime meat, now the ancient dead But curled up quietly Amongst the galleried forest Of laminate and spindle legs The close carpet smell With the noisy zigzag pattern So full of time Nevertheless a safe place to sleep At least For a little while