Your mother is a broad tin roof

The rain is your mother
when she’s angry


And when she sings
your sleepless night to sleep


The see-saw of the tin
A deflection

Against the hem of morning 
a familiar spill


The mottled face
against proud heat
a hand cool-ly calming


Her shadow
for a while, while you sleep


Keeps the rest at least
a blanket thick, and almost noiseless day




Until you’ve done
with the mewled noise
of your forgetting

A scintilla of desire

In the French film

Almost  a thousand feet

A bright pinhole of light

The discomfiting sprocket sound

Girls sleep the shape of dunes

The shifting sands of innocence

In the uncertain distance

Horizon spilled into the sky

The azure

Hard as a mirage

With grains like glass

Where you hoped

For water

I fall into the succour of your flagging upper-body strength

The pommel horse
Is prancing


Surmount, liquorice lax


A lazy arm’s extension


Hawser thin and relatively
Unbiased


There is a kind of threat
In the tight grain, in the sweat
That divides your t-shirt


Into terra nullius
And undisputed regions


Erase a line, and jump
Over the dogs of lazy meanings


Biceps smooth, collapsing
In a forward roll

The incline mat
As it slowly, closely pours
The colour
Of an ugly sky


The shoulder dislocates
With that wet leather sound
Of sinews wrenching


Your scowl red as empires


Extend your arm
Fold it into place


An aspiration for the pain

Clean jerk

No more flying

I make other people into paper planes

People call out of the past 
Curving like loose sheets of paper
Bring milk, I say
They bend until
The far edges meet
I fold them quickly
Here, here and here
Make a simple crease 
The triangular shape of strained smiles
Watch them curvingly glide away
Good riddance (I say)
In my ever burgeoning nest of crumpled defeats
Back to sleep

Seance number nine

We wake, made of silk
I wonder at the setting
Of your moon-sharp chin
Lonely satellite, in quaternary beaming
At seance nine we spoke
Of the lies told by the dead
With their voracious appetites
For unresolved regrets
Silent now
That we directly ask
In a falling game
Strange dirt gleaming on your smile
The planchette of you hands
 Moving of their own accord
Planting joys and miseries
In unfamiliar ground
To see in glaucoma moonlight
What par-blind flowers grow
Quiet, but still, not quite
Almost lost for words

With Isabella di Medici in the Arctic

Hold your father’s urn
Shoulder a hawk proud arc
One day you turn around
Find a man old as porcelain
Wearing your stolen face
The way a tree still wears the gnarls
Of long discarded branches
Gone to the shape
Of half-mouldered sleep
As if, beneath the soughing sound
Of leaves falling from a newfound sky
The ashen colour long after fire
Came to a cooler season
Below the red of morning
That shepherds confusingly swore
Not yet supper time, no storm
The doves watchful until
The dishevel in your hand
moves like a raptor


Someone shot linen
From the balcony
Past the atrium
In a mistaken suicidal fall
With those poised static lines
Of TV’s glacial world
Bit off the tip of your frost bitten finger
The aurora warm and bright as gangrene
The dead come slowly up the stairs
Without much left to say
Just the heavy echoes
Of yesterday’s too heavy
Orthopaedic shoes


An old woman’s tractor strength 
In each resounding drop


Stairwells have their harvests
Of dragged feet and brooding shadows
Fallow seasons where
The ceiling is the ash of long extinguished fires
The automatic sensor
Too bright and too slow
To escape the darkness, in consequence of light


On the second landing, while she waits a breath
Wagered against a fast approaching dark
She pulls a morsel from a paper bag
The heart-meat colour of red liquorice
The threads in sinews tear apart
Considering the broad and endless expanse
Of your lost face’s
Artificial strawberry taste


The door scrapes, like ice shelves calving
Scrapes again
Now step-on, hunted, cat soft
Ridges carved to corridors
By an endless season
On the heaving contours of your brow
Isabella de’ Cosimo I de Medici (circa 1570–74) by Allesandro Allori, after restoration from a poor, 19th century makeover. Courtesy of Carnegie Museum of Art.

What the magpie said

Whistle a magpie song
Count almost to seven
As she bends a wing
The ash and char long after fire
In that dancing way
With a tilted query
To ask only this;
You have neither tongue
Nor beak, to sing a newfound morning
Nor yet a rise of quills to make
Of the swell of day a flight
From merriment to soaring
Yet with a caw of half-broke voice
You pretend to sing
I will turn, and bow and pause and carefully watch and wonder
In the narrows of bird-caution
Is this a mockery in your voice
Or the joy of worship?

Bitter fruit

Scientists grew tear ducts
In a jar
Spent the day in mockery
Until they cried
A seldom kind of love
For their bastard child
Poked and prodded, niggled
Shamed, curtailed
Obedience praised until
The organism wept
The experiment, upon repetition 
Bore bitter fruit
Inconsolably weeping
With just a half an hour’s 
Earnest jests

For a little while

The underside of the table
Has colours like the Sphinx
In one of those arch
Murder mystery telemovies 
Where white men in white suits
Pontificate on how the Mamaluk
Beys were defeated by Napoleon
With the help of an ancient desert curse
Discovering Thebes, Dendera and Philae 
In the wake of Janissaries fleeing
Their horses hooves curving up
A sandstorm’s furied face
For the uncomfortable planar shapes
Of magic carpets to ride on
Eating the uneven edge
As if the broad, contemplative forehead
Of Africa had a migraine
The pry ram ids seen from space tack sharp
The women pouring jewels
In elegantly panelled dining rooms
Of cruise ships much too big
For undredged river beds
Discussing losses at baccarat
With the vestal aplomb
Of supremely innocent naïveté 
Prophets in reed baskets
Floating amongst the crocodiles 
Muttering chemin de fer
Derricks and dirigibles emerging
From a postcard landscape
Smoke haze from the burning
A pink stamp on the wood
Almost wholly illegible 
As if the substrate were once 
Prime meat, now the ancient dead
But curled up quietly
Amongst the galleried forest
Of laminate and spindle legs
The close carpet smell 
With the noisy zigzag pattern
So full of time
Nevertheless a safe place to sleep
At least 
For a little while